Can a man improve his appearance without losing everything good inside him?

Oliver has always been obese and suffered from a negative body image. He’s tried diets before, failing time after time, but he vows this time will be different. As he begins an exercise program, his confidence increases—and so does his interest in his friend and coworker Benjy. Though they bonded long ago over a love of online gaming, it takes a lot of courage for Oliver to share his new body and be intimate with another man.

A passionate romance blooms, but as Oliver nears his goal, it seems he doesn’t need Benjy—with his chronic anxiety and troubled past—now that he’s made attractive new friends at the gym. But not all relationships are equal, and Oliver realizes that Benjy, who loved and supported him when no one else did, is more than a reminder of his old life.

A pleasing appearance means nothing when it hides a lonely, empty heart, and if Oliver cannot decide what’s truly important, he’ll lose what he cherishes most.

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Thanks so much, TCO, for hosting me on your blog. I’m thrilled to be at it again, promoting another new release, and this time I’m especially excited to share something a little different than any of my other stories. As I’ve hopped around the blogosphere launching this release, I’ve tried to offer unique topics on each of my posts (which isn’t exactly easy when you have ten or more different blogs to write, all about the same book).

So I want to talk about something that relates to my new release, Slim Chance, but that can be applied much more holistically to a lot of my books. I want to discuss two things, actually—empathy and perspective.

In a perfect world where there are only perfect stories with perfect characters, there’s no need for empathy. In such an imaginary place, authors wouldn’t have to hope that readers would view their characters sympathetically. Characters wouldn’t think negative thoughts or do selfish things. They wouldn’t say anything offensive. They wouldn’t belittle themselves or lose their temper with their loved ones. They’d be perfect.

My world isn’t perfect, and neither are my characters, so I do rely upon the empathy of the reader. I hope they are capable of putting themselves into the shoes of this less-than-perfect character. I hope they can get beyond disliking him and set aside their judgment long enough to feel what he’s likely feeling.

If I were to ask what the biggest difference between reading a story in a book and seeing that same story in a movie, what would you think it would be? I think the biggest difference is that in a book we not only see outside the character, but also inside his head and heart. Granted, there is some debate about exactly how much a storyteller should “tell” the reader. If the author belabors the thought process of the characters, it sounds like he/she’s doing way too much explaining and not enough showing. Stories are supposed to be shown more than told, so when a particular event or conversation occurs in the story, ideally you want to show the reader by actions and words how that character is likely feeling.

That’s what they do in movies. Very seldom does a movie have a narrator cutting in to explain how devastated, angry, or upset a character is. You can see it, and as a viewer you’re smart enough to understand. But in literature, there is kind of a fine line. Because unlike movies, a written story is told from a specific point of view. That point of view might be first person, third-person limited, or third person alternating, but in all cases it is told from one perspective at a time. So a lot of the visual cues a viewer might see in a movie—things like body language, blushing, scowling, etc.—are not described in a novel. The author sometimes has to do some “telling.”

And believe me, if an author doesn’t do enough telling, he’ll hear about it from his content editor. “Don’t you think this would have hurt the character’s feelings?” “Perhaps you should discuss how this made him feel.” And when I get those kinds of editorial notes, my knee-jerk reaction is to scream back at my computer monitor and say, “Of course, it hurt his feelings! Of course, he was angry and scared! But the reader can already see this! The reader does not need to be told every single feeling, especially if you want me to SHOW this damn story rather than tell it!”

And a lot of times I literally do shout similar things at my computer monitor. But when I calm down, I go back and do exactly what that content editor has suggested to me.

Usually.

In this book, Slim Chance, I rejected a lot of advice offered to me by my content editors (intentionally plural). They didn’t think Oliver was likable enough. They didn’t think he showed enough empathy. I respectfully disagreed with them, and I’ll go on record as saying that from an m/m romance point of view, they’re probably right. Many readers are not going to fall in love with Oliver.

I did not write Oliver to be a sympathetic character. I wrote him to be real. He’s been abused, ridiculed, mocked, and more or less tortured his entire life. Of course he is cynical. Of course he doesn’t trust people who are nice to him. A million times previously he’s had people say very sweet things to his face and then make fun of him for being a blimp behind his back. Of course he looks in the mirror and feels disgusted by his reflection. He’s a gay man living within a culture where beauty is worshiped.

If you the reader were to immediately fall head over heels in love with Oliver Paxton, I’d say I pretty much failed at portraying an accurate story. Oliver made me uncomfortable, and I wrote him. I wanted to feel that way, though. I wanted to walk a mile in the man’s shoes. But Oliver arcs, and I hope by the end of the story, the reader walks away really liking him, if not loving him like I do.

And that’s why I mentioned perspective. I hope readers will try to understand my perspective…and Oliver’s. And with Oliver, I think I did spend a lot of time in his head. In fact, I actually had to cut out some of the exposition pieces of the story. But what you won’t get is anything from Benjy’s point of view. Benjy is Oliver’s boyfriend. I do plan to talk a little more in my blog posts about Benjy and who he is—why he put up with Oliver as long as he did. I’d have loved to have talked about it more in the book, but this was Oliver’s story and told 100% from Oliver’s point of view.

Of all the stories I’ve written, this has been one of the most meaningful to me personally. I’m thrilled with Dreamspinner Press for giving me the chance to share it, and I’m incredibly thankful to the readers who take a chance on reading it.

Hopefully, you read Jeff’s blog post carefully, because then you will understand what I am about to say about this book.

I did NOT like Oliver…not for a very long time. (I am guessing Jeff will be happy about that!) Let’s face it, he was a jerk. He was a jerk when he was fat, he was a jerk as he was losing weight, and he was a jerk when he got skinny. Although, I will give him a pass on the part where he got skinny, because the man had a complete overhaul in his world and anybody in that situation would not have any clue what is right or wrong in lots of those situations.

But he was just a jerk to Benjy, a man who was faithful, supportive, loving and a fantastic friend, despite all the reasons why he could have told Ollie to take a flying leap. He was positive, helpful and so supportive of what Ollie wanted to do, not necessarily what Benjy wanted. It gave a bit of an impression that Benjy was a pushover, and would let Ollie do whatever he wanted, and hurt Benjy without consequences. Ollie finds out that Benjy isn’t a pushover, but someone who truly just wants to do what he can to be there.

These two men both had huge issues to overcome, and Ollie’s weight was just one of them. His self-esteem was awful (this cover is freaking perfect for what this book touches on), and even as he lost weight, he couldn’t see how he would ever be lovable. Meanwhile, Benjy had such horrible anxiety it was a wonder that he was able to go to work on a daily basis. Neither of these things can be overcome with an HEA, and I love that Jeff did not make that their salvation. Their road to their success was lead by themselves.

This was a very personal book to me. I actually had a hard time reading some of it. I have been overweight most of my life (like Ollie, although not nearly that size), and being female the criticism tends to be much more harsh than it is for me (which Jeff even touches on in the book). Knowing the pain that comes with living in a society that values the size of your waist more than the size of your love, it was hard to see how he would react to hateful things that happened to him. However, it was heartening to read that it doesn’t have to be that way, and it isn’t necessarily because you lose the weight, but that you learn to love yourself.

Thank you Jeff for stepping outside so many comfort zones and creating characters that are flawed inside, because they are seen as flawed outside.

I have to give this book two ratings.

As a reader: 4 pieces of eye candy

As a human being: 5+ pieces of eye candy

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