Charlie Cochrane

Michael Gray returned from World War One injured, but at least he returned. Others were not so fortunate, including his first and greatest love, Thomas Carter-Clemence, with whom Michael had parted bitterly before the conflict began.

Broch, the Carter-Clemence home in Porthkennack, was an integral part of pre-war holidays for the Grays, the two families drawn together in the wake of their sons’ friendship. Returning to the once-beloved Cornish coast for a break with his sister and her family, Michael has to find the courage to face old memories . . . and dare new relationships.

When Thomas’s brother Harry makes an unexpected appearance, Michael is surprised to find himself deeply attracted to Harry for his own sake. But as their relationship heats up, it unearths startling revelations and bitter truths. Michael must decide whether Harry is the answer to his prayers or the last straw to break an old soldier’s back.​

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Count the Shells is the story which completely astounded its author in the telling. I had no idea when I sat down to write it that the straightforward historical romance I’d envisaged would turn out to have a plot twist which transformed the story into possibly the best tale I’ve ever crafted.

 

The Great War – where do I start to research it?

If you were to say to me, “Charlie, old thing, I’m interested in finding out more about World War One. Where should I begin?” I’d respond, “Whatever you do, don’t start with a history text book!” Not unless you’re really interested in what battle took place where and which regiments were involved or which governments did what and when. That may be precisely your cup of tea, but I can’t say it’s mine. For me, the bigger picture is just the setting for the characters, and those details are only relevant when they impact on part of an individual’s life story. It’s the people who interest me: what they did, the experiences they lived through, and the effect these things had on them.

When it comes to finding those things out, there are a wealth of resources and some of the very best get as close to the source material as possible. All history is clearly seen at one or more removes, and as it reaches us it’ll have gone through one or more filters, as people relate the things they want us to hear and which support whichever view they’re taking. You have to remember this with whatever material you look at or listen to, but the fewer steps between you and the “eye witness”, the better.

So, here are some of my top resources:

• War poetry. All of it from the jingoistic to the deeply cynical, and other poems written by notable poets of the era. (When we studied Wilfred Owen at school, nobody mentioned his homoerotic works, some of which are stunning and which put a new context on his more famous war poetry.)
• The “Voices from…” series of books which uses testimonies from men and woman who lived/fought/sailed/flew in the era. The detais this provides is staggering.
• Biographies, but not just of the big political or military names of the era. There are some great books about army chaplains, ordinary soldiers, even real war horses!
• Diaries, letters, artwork from the era. One of the most moving books I’ve read is “Scrimgeour’s Scribbling Diary” which are the wartime writings (made strictly against protocol) of a midshipman. The abrupt end of entries is the most poignant reminder of the terrible loss of young lives.